The time of typewriters has come to an end in the 20th century, but typewriter typography is still very present. Its actuality echoes the supposed neutrality of mechanical, unproportional/monospace aesthetics, and in part the administrative-industrial complex that it has been used in largely.
As a means of production typewriters have been opening a space of communication, connectivity, distribution and reproduction. This space could be described as an in-between between subjects, and texts, or maybe as an imaginary tape or ribbon connecting each individuals and institutions – giving a specific visibility (and a sound …) to communication.